A British term describing when a ball is tight on the cushion and a player sends the cue ball to hit both the object ball and the rail at nearly the same time; the object ball, ideally, stays tight to the rail and is thus "velcroed" to the rail. Inside english is often employed to achieve this effect, hitting slightly before the ball. The movement of a ball just next to the rail (but not the shot described to achieve this movement) is called hugging the rail in both the UK and the US.
One of the alternating turns players (or doubles teams) are allowed at the table, before a shot is played that concedes a visit to his/her opponent (e.g. "he ran out in one visit"). Usually synonymous with inning as applied to a single player/team, except in scotch doubles format.
The Valley National 8-Ball League Association. Founded in 1979, VENA is a non-profit organization established to promote the game of pool on coin-operated equipment. The membership is comprised of men, women and junior players, coin machine operators and manufacturers.
22 Random Essential Billiards Terms
This is a term to describe 100 break points in a game of snooker.
A player's (or doubles team's) turn at the table, usually ending with a failure to score a point or to pocket a ball, depending on the game, a foul, a safety or with a win. In some games, such as five-pins and killer, a player's inning is always limited to one shot, regardless of the intent and result of the shot. Usually synonymous with visit, except in scotch doubles format. The term is sometimes used to mean both players'/teams' visits combined, e.g. when referring to which inning in which a memorable shot occurred.
This word is used as slang to define a player as amateur or recreational.
This is a long distance shot that is given to your opponent as a challenge to make because it often works well as a safety (defense) when a better one is not available.
The area on the table behind the head string.
The origin of the term has been the subject of some speculation but the best explanation known is that in the 1800s, many homes did not have room for both a billiard table and a dining room table. The solution was a billiards table that had a cover converting it into a dining table. Kept in the dining room, play on such a table was often restricted by the size of the room, so it would be placed so that the head rail would face the connected kitchen door, thus affording a player room for the backswing without hitting a wall. A player was therefore either half or sometimes fully (literally) "in the kitchen" when breaking the balls.
A term applied especially in snooker for a type of double off three cushions, e.g. around the baulk colours and into a centre pocket. Such a shot is very difficult to make and would not normally be played as anything more than a shot for nothing.
3d 6h 17m 28s
7d 21h 44m 46s
7d 8h 57m 46s
This term refers to a low percentage one pocket shot.
This is a relatively simple machine that is used to duplicate inlay cuts within a cue so that the sizing will be accurate. When compared to the technical CNC machines, this is more like a tape measure, but when this effective tool is used to inlay a cue stick, you are getting a cue with genuine handcrafted inlays.
With draw, as in "I shot that low left", meaning "I shot that with draw and with left english". Derives from the fact that one must hit the cue ball below it's equator, i.e. "low" on the ball, to impart draw. Contrast high.
The Higher Education Snooker and Pool Council is a voluntary, not-for-profit organisation established to promote cue sports in institutions of higher education on the island of Ireland.
A description of play in carom billiards games in which the balls remain widely separated rather than gathered, requiring much more skill to score points and making nurse shots effectively impossible, and making for a more interesting game for onlookers. Most skilled players try to gather the balls as quickly as possible to increase their chances of continuing to score in a long run.
A reference to the amount of English applied to the object ball from the cue ball.
This is when you aim at one particular object ball that is not meant to go in the pocket, but is instead meant to contact another object ball which will continue the combination process or be pocketed.
The angle at which a ball approaches a rail, as measured from the perpendicular to the rail.
Also topspin, top-spin, top. Same as follow. Contrast bottom spin, back spin.
A British term for a pot that requires very fine contact between cue ball and object ball. See also feather.
4d 22h 56m 44s
15d 13h 45m 16s
30d 3h 43m 32s
This is the portion of the cue you would be holding if there was no wrap or grip present. This is the position where the best gripping power can be generated, and is situated below the forearm and above the butt. This portion is often covered with a wrap, but other times left bare to create a simple seamless style.
This is to lay down the money on the table in a betting game before play begins to ensure pay up at the end.
Usually set-up in non-verb form, sometimes setup in noun form particularly.
1.(Of a player or referee) to place the balls (and other items, if applicable, such as skittles) properly for the beginning of a game: "In eight-ball, properly setting up requires that the rear corners of the rack not have two stripes or two solids but one of each." For most pocket billiards games this is in a racked pattern, but the term is applicable more broadly than "rack", e.g. in carom billiards and in pocket games like bottle pool. Contrast layout.
2.(Of the game equipment) arranged properly for the beginning of a game: "set up and waiting for the break", "an improper set-up"
3.(Of a player, passively and specifically) to have good shape - to be in a favorable position for making a shot or other desired play ("is set-up on the 9", "could be set-up for the corner-pocket after this shot")
4.(Of a player, passively, generally, and chiefly US) to be in a favorable position for, and with a layout conductive to, a long run (UK: break) or complete run-out: "a crucial miss that left his opponent really set-up"; compare (chiefly British) "in the balls"
5.(Of a player, actively) to use position play to move one or more specific balls to specific locations with a specific goal in mind, usually pocketing (potting) a specific ball or getting an easy out, but possibly a safety, nurse or trap shot; in short, to get shape: "She set up on the 9-ball with a careful draw shot." The meaning can be inverted to indicate poor play on the part of the other player: "Oops, I just set you up for an easy win when I missed like that."
6.(Of a table layout) comparatively easy to completely run out, e.g. because of a lack of clusters or blocking balls: "looks like a nice set-up for a quick out", "this table's totally set up for you"
7.(Of cue ball position more specifically): having good shape - comparatively easy to use to some advantage, such as continuing a run (UK: break) or playing safe: "The cue ball's set up for an easy side pocket shot."
8.(Of a shot or strategy) the result of position play (careful or reckless): "Playing the 6 off the 8 was a great set-up to win", "That follow shot was a terrible set-up for the 6-ball."
9.(Of a hustler) to successfully convince a fish that one is not a very skilled player and that gambling on a game will be a good idea: "That guy totally set me up and took me for $200." Such a hustle is a setup or set-up.
A shot that has a positive outcome for the player, although it was not what the player intended. Examples of flukes include an unexpected pot off several cushions or other balls having missed the pocket aimed for, or perhaps a lucky safety position after having missed a pot. Compare fish and slop; contrast mark (sense 3) and call. It is customary to apologise to one's opponent if one does this.
This is a shot involving contact between the cue ball and an object ball which allows the cue ball to contact another object in order to sink a pocket with the second object ball.