The lamentable practice of not following through with the cue straight, but veering off in the direction of the shot's travel or the side english is applied, away from the proper aiming line; a common source of missed shots.
24 Random Essential Billiards Terms
Feel generally refers to that elusive quality that makes one cue feel special or superior to another. In essence, it is the cumulative effect of all of a cues characteristics, including weight, shaft diameter, balance, grip material, length, etc. It can vary greatly from one player to another. A cue that feels great to one player does not necessarily fell good to another.
This is a kind of cue made of four pieces of wood, the butt sleeve, the points, the handle, and the forearm, with each piece pinned, doweled, and glued together.
This is the imaginary line that a ball would need to follow in order for it to result in an effective bank shot.
This is a toned down masse shot. The cue is elevated a little and will curve a little in the direction the spin is applied. This is used to sneak around difficult shots.
Usually a one-piece cue freely available for use by patrons in bars and pool halls.
Also bar box, pub table, tavern table. Distinctive pool tables found in bars/pubs/taverns, and often in various other venues such as family entertainment centers and arcade rooms at bowling alleys. They are almost always coin-operated and smaller than tables found in pool halls. Typical bar boxes are 3.5 ft (1.1 m) × 7 ft (2.1 m).
Same as feather (US) or snick (UK)
This is a player that will regularly loose money to a particular player that is obviously a better player.
Also straight eight-ball. Same as bar pool. Not to be confused with the games of straight pool or straight rail.
3d 10h 40m 32s
5d 32m 52s
24d 10h 39m 5s
This is the stick used to contact the cue ball in pool and billiards games. The cue stick is usually made of wood, features a special contact tip, and is usually tapered to slide through your hand. The price of these tools can range from oil change to transmission change depending on the quality of craftsmanship and design.
As an adjective or compound noun: push-out. A rule in many games (most notably nine-ball, after and only after the break shot), allowing a player to "push out" the cue ball to a new position without having to contact any ball, much less pocket one or drive it to a cushion, but not counting any pocketed ball as valid (other foul rules apply, such as double hits, scratching the cue ball, etc.), with the caveat that the opponent may shoot from the new cue ball position or give the shot back to the pusher who must shoot from the new position. In nine-ball particularly, and derived games such as seven-ball and ten-ball, pocketing the money ball on a push-out results in that ball being respotted (which can be used to strategic advantage in certain circumstances, such as when the break leaves no shot on the ball-on, and failure to hit it would give the incoming player an instant-win combination shot on the money ball).
The desired angle that must be created between the path of the cue ball and the path of the object ball upon contact to pot the object ball. It is usually measured to the center of the pocket. See also aiming line.
A bank shot that follows a Z shaped pattern as it bounces off of two rails.
Toward the foot of the table.
In three cushion billiards, the most standard shot where the third ball is advantageously placed in a corner.
Also known as Free-stroking. This is slang for when a player begins to play untroubled and relaxed because they have built up a substantial lead.
Describing a ball that is safe because it is in close proximity to one or more other balls, and would need to be developed before it becomes pottable.
1- Shortened phrase of "ball-in-hand".
2 - In snooker, the ability to place the cue ball anywhere inside the boundaries of the D. This occurs at the start of a frame, and after the cue ball has been potted or forced off the table.
Also a short form of "Ball In Hand".
28d 14h 1m 13s
24d 7h 46m 52s
30d 21h 7m 35s
The use of the correct amount of cue ball speed in position play to achieve proper shape for a subsequent shot.
A stroking technique in which a player releases his gripping hand briefly and re-grasps the cue farther back on the butt just before hitting the cue ball.
This is a kind of cue made of only two pieces of wood, and joined together using an advanced adhesive along the points of the cue. This connection gives the cue a flawless look and a fluid feel when shooting.
In snooker, the highest-value baulk colour, worth 4 points.
Deviation of a ball from its initial direction of travel. Often the result of a poor-quality table and may be an artifact of the cloth, the bed, a ball with uneven weight distribution, or simply the floor the table stands on being uneven.