The heavy, finely milled rock (slate) that forms the bed of the table, beneath the cloth. Major slate suppliers for the billiards industry are Italy, Brazil and China. Some cheaper tables, and novelty tables designed for outdoor use, do not use genuine slate beds, but artificial materials such as Slatrol.
24 Random Essential Billiards Terms
A gentle tap of the cue ball with the intention of getting it as tight as possible behind another ball, in the hope of a snooker. It is most common in the game of snooker, and is illegal in many pool games, in which on every shot a ball must either be pocketed, or some ball must contact a cushion after the cue ball has contacted an object ball.
Chiefly British: The cushion on the top rail. Compare foot cushion; contrast bottom cushion.
A shot aimed so that the center of the cue ball is in line with the edge of the object ball, eclipsing half of the ball. "Hit it just a little thinner than half-ball." Assuming a cling does not occur, the shot will impart post-contact momentum on the object ball in a direction 30° (which is arcsin(1 - x), where x is the fraction of object ball eclipsed: ½ in this case) off the direction of the cue-ball's pre-contact momentum. Also notable because the carom angle the cue ball takes is more consistent than at other contact points.
Chiefly American: The cushion on the head rail. Compare bottom cushion; contrast foot cushion.
The upper portion of a cue which slides on a player's bridge hand and upon which the tip of the cue is mounted at its terminus. It also applies to the main, unsegmented body of a mechanical bridge.
The wrap is situated over the handle of the cue, below the forearm and above the butt. Common materials used are Irish linen, leather, or cork. These materials make sense, because they provide a sure grip, long life, and help to absorb moisture from the hand when you are sweating through a difficult rack. In addition, wraps are used to compliment the color or style of the cue stick and to elegantly complete the look.
United States Professional Poolplayers Association The United States Professional Poolplayers Association (UPA) is the governing body for the sport of men's professional pool (pocket billiards) in the United States, in conjunction with the World Pool-Billiard Association (WPA) and its US-national affiliate, the Billiard Congress of America (BCA). Founded in 2002, the association is based in Phoenix, Arizona.
Used by itself often with "low" and "high": "that's a low-percentage shot for me", "I should really take the high-percentage one".
This is a table that offers poor conditions for play; it is either dirty, wet, or overall poor quality.
11d 22h 53m 3s
5d 16h 27m 53s
6d 15h 20m 6s
1- Applying very powerful follow on the cue ball thereby causing the maximum amount of follow.
2- A powerful follow shot with a high degree of top spin on it; usually when the object ball being hit is relatively close to the cue ball and is being hit very full; also known as "prograde top spin" or "prograde follow" (when referring to the action on the shot rather than the shot per se), and as a "jenny" in Australia.
Play, from the opening break shot until one player has won (or the game has been halted for some reason by a referee). Games are the units that make up matches, races (in some senses of that term) and rounds. Essentially the same as frame, except with regards to straight pool, which is a multi-rack game.
Hitting the object ball with not enough of a cut angle; hitting the object ball too full or "fat". It is a well-known maxim that overcutting is preferable to undercutting. See also professional side of the pocket.
When the object balls in straight rail pool are lined up close to each other, but extending out from the cushion, and you choose to bounce off the first object ball at the cushion and then come back to graze the second object ball. This technique can be used to continue scoring points as long as you are efficient with the shot.
A situation in which a ball strikes another ball which is close to a rail and the struck ball rebounds back into the ball it was hit by; usually but not always unintended.
When the cue ball is tucked behind the corner of a pocket, therefore not allowing a direct shot at the object ball.
This is a term used to refer to all the different aspects involved in setting up a shot, i.e. the stance, grip, bridge, and stoke.
When the cue ball is tucked behind the corner of a pocket or behind other object balls against a rail, therefore not allowing a direct shot at the object ball without the cue bouncing off the corner of the rail.
A term also used to mean when the object ball you must hit next is hidden behind other balls against a rail and you are not able to get a clean hit (without hitting other object balls first) on it. e.g. "You hooked me".
This is the portion of the butt of your cue just below the handle or wrap. This portion of the cue is made separately and often times cored out to ensure the proper weight balance within the full length of the cue. This portion of the cue is usually made with exotic wood that matches the wood in the forearm or in the points on the forearm. This section is used to highlight the design of the forearm, sometimes a re-creation, a reverse, or a rendition of the same pattern on a smaller scale.
When a particular ball is given as a handicap in nine-ball, designating that ball in turn means that it must be made in rotation, when it is the lowest numerical ball remaining on the table, and cannot be made to garner a win earlier in the game by way of a combination, carom or any other shot. For example, if a player is spotted the 8 ball, he only wins by making that ball after balls 1 through 7 have been cleared from the table.
8d 17h 37m
11d 19h 26m 8s
26d 21h 50m 32s
This is the portion of the cue you would be holding if there was no wrap or grip present. This is the position where the best gripping power can be generated, and is situated below the forearm and above the butt. This portion is often covered with a wrap, but other times left bare to create a simple seamless style.
A directional pile created by the short fuzzy ends of fibers on the surface of cloth projecting upward from the lie and which create a favorable and unfavorable direction for rolling balls. The convention in most billiards games in which directional nap cloth is used is to brush the cloth along the table in the same direction of the nap, usually from the end that a player breaks. In snooker and UK eight-ball especially, this creates the effect of creep in the direction of the nap, the most-affected shot being a slow roll into a center pocket against the nap. It is commonly referred to in the fuller term "nap of the cloth." When nap is used in relation to woven cloths that have no directional pile, such as those typically used in the U.S. for pool tables, the term simply refers to the fuzziness of the cloth.
Any shot where the cue ball is intentionally jumped into the air to clear an obstacle
A cluster of balls. In snooker, the bunch of reds that are typically left below the pink spot in the early stages of a frame, not including those reds that have been released into pottable positions.
This is to miss your shot but either luckily or on purpose leave your opponent with nothing to shoot at.