Definition of Object ball

Chiefly American, and largely obsolete: Same as referee.

1- This is a knowledgeable shot showing skill on the movement of the cue ball.

2- This is an experienced one pocket pool player that shows extraordinary skill at coordinating the cue balls and object balls for safety plays.

A chiefly British term for a set of mechanical bridges. British-style rests differ from most American-style rake bridges in shape, and take several forms: the cross, the spider and the swan (or goose neck), as well as the rarer and often unsanctioned hook. When used unqualified, the word usually refers to the cross. Rests are used in snooker, English billiards, and blackball.

Used with an amount to signify money added to a tournament prize fund in addition to the amount accumulated from entry fees (e.g. "$500 added").

The ACS Canadian affiliate organization, the Canadian Cue Sport Association.

A cut shot in which if a line were drawn from the cue ball to the rail behind the targeted object ball, perpendicular to that rail, the object ball would lie beyond the line with respect to the pocket being targeted.

In snooker, a shot where a player fouls by missing the ball on altogether. The miss rule allows for his opponent to have the player play exactly the same shot again, or at least as accurately as the referee is able to reproduce the ball positions. A miss usually occurs when a player makes an unsuccessful attempt at escaping from a snooker. It is a controversial rule aimed at formally discouraging deliberate fouls. In professional snooker, a referee will almost always call a miss on any foul where the player misses the ball on altogether, regardless of how close the player comes to hitting it, however no miss can be called when either of the players requires snookers to win the frame. If a player is called for a miss three times in a single visit while not snookered, he forfeits the frame; to avoid this, players almost always play an easy hit on their third attempt, even if it is likely to leave a chance for the opponent.

(Chiefly British) Said of an object ball that can easily be reached by the cue ball, or of a pocket that can easily be reached by a selected object ball, usually directly (i.e. without intervening kick, bank, carom, kiss or combination shots).

Usually set-up in non-verb form, sometimes setup in noun form particularly.
1.(Of a player or referee) to place the balls (and other items, if applicable, such as skittles) properly for the beginning of a game: "In eight-ball, properly setting up requires that the rear corners of the rack not have two stripes or two solids but one of each." For most pocket billiards games this is in a racked pattern, but the term is applicable more broadly than "rack", e.g. in carom billiards and in pocket games like bottle pool. Contrast layout.
2.(Of the game equipment) arranged properly for the beginning of a game: "set up and waiting for the break", "an improper set-up"
3.(Of a player, passively and specifically) to have good shape - to be in a favorable position for making a shot or other desired play ("is set-up on the 9", "could be set-up for the corner-pocket after this shot")
4.(Of a player, passively, generally, and chiefly US) to be in a favorable position for, and with a layout conductive to, a long run (UK: break) or complete run-out: "a crucial miss that left his opponent really set-up"; compare (chiefly British) "in the balls"
5.(Of a player, actively) to use position play to move one or more specific balls to specific locations with a specific goal in mind, usually pocketing (potting) a specific ball or getting an easy out, but possibly a safety, nurse or trap shot; in short, to get shape: "She set up on the 9-ball with a careful draw shot." The meaning can be inverted to indicate poor play on the part of the other player: "Oops, I just set you up for an easy win when I missed like that."
6.(Of a table layout) comparatively easy to completely run out, e.g. because of a lack of clusters or blocking balls: "looks like a nice set-up for a quick out", "this table's totally set up for you"
7.(Of cue ball position more specifically): having good shape - comparatively easy to use to some advantage, such as continuing a run (UK: break) or playing safe: "The cue ball's set up for an easy side pocket shot."
8.(Of a shot or strategy) the result of position play (careful or reckless): "Playing the 6 off the 8 was a great set-up to win", "That follow shot was a terrible set-up for the 6-ball."
9.(Of a hustler) to successfully convince a fish that one is not a very skilled player and that gambling on a game will be a good idea: "That guy totally set me up and took me for $200." Such a hustle is a setup or set-up.

Any shot in which the cue ball or an object ball has to squeeze by (just miss with almost no margin for error) another ball or balls in order to reach its intended target.

An imaginary line drawn from the desired path an object ball is to be sent (usually the center of a pocket) and the center of the object ball.

A shot in which the cue ball is driven first to one or more rails, then hits an object ball and kisses back to the last rail contacted. It is a common shot in carom games, but can be applied to such an instance in any relevant cue sport.

A player skilled at very thin cut shots, and shots in which a ball must pass cleanly through a very narrow space (such as the cue ball between two of the opponent's object balls with barely enough room) to avoid a foul and/or to pocket a ball. Such shots may be referred to as "surgery", "surgical shots", "surgical cuts", etc. (chiefly US, colloquial). See also feather (US) or snick (UK).

This game is played on a smaller octagonal table filled with bumpers in the middle and two more bumpers surrounding a hole on each side of the table. The game is played by trying to sink the balls into the opposite pocket by hitting the object ball directly instead of using a cue ball.

Feel generally refers to that elusive quality that makes one cue feel special or superior to another. In essence, it is the cumulative effect of all of a cues characteristics, including weight, shaft diameter, balance, grip material, length, etc. It can vary greatly from one player to another. A cue that feels great to one player does not necessarily fell good to another.

The inside walls of a pocket billiards table's pockets.

Using knowledge of the game and one's own abilities and limitations to choose the manner of shooting and the particular shot from an array presented, that has a degree of likelihood of success. This often requires a player to forego a shot that if made would be very advantageous but does not have a high likelihood of success, in favor of a safety or less advantageous shot that is more realistically achievable.

A low hit on the cue ball (but not as low as normal draw), often used to change the cue ball's angle of deflection off the object ball.

Also known as back spin, a type of spin applied to the cue ball by hitting it below its equator, causing it to spin backwards even as it slides forward on the cloth. Back spin slows the cue ball down, reduces its travel, and narrows both the carom angle after contact with an object ball, and angle of reflection off a cushion. There are several variant terms for this, including "bottom" and "bottom spin" in the US and "screw" in the UK. Draw is thought to be the first spin technique understood by billiards players prior to the introduction of leather tips, and was in use by the 1790s.

An illegal shot (foul) in which the cue stick's tip contacts the cue ball twice during a single stroke. Double hits often occur when a player shoots the cue ball when it is very close to an object ball or cushion, because it is difficult to move the cue stick away quickly enough after the cue ball rebounds from the cushion or object ball.

Slang for the cue ball.

Balls remain unmoved after a player's shot.

To intentionally lose a game, e.g. to disguise one's actual playing ability. An extreme form of sandbagging. See also hustle. See also Match fixing for the synonym "tank", used in sports more generally.

Also in the zone. Describes an extended period of functioning in dead stroke ("She's in the zone").