Definition of Dog it

In snooker, a shot where a player fouls by missing the ball on altogether. The miss rule allows for his opponent to have the player play exactly the same shot again, or at least as accurately as the referee is able to reproduce the ball positions. A miss usually occurs when a player makes an unsuccessful attempt at escaping from a snooker. It is a controversial rule aimed at formally discouraging deliberate fouls. In professional snooker, a referee will almost always call a miss on any foul where the player misses the ball on altogether, regardless of how close the player comes to hitting it, however no miss can be called when either of the players requires snookers to win the frame. If a player is called for a miss three times in a single visit while not snookered, he forfeits the frame; to avoid this, players almost always play an easy hit on their third attempt, even if it is likely to leave a chance for the opponent.

Describes lucky or unlucky "rolls" of the cue ball; "I had good rolls all night; "that was a bad roll." However, when said without an adjective ascribing good or bad characteristics to it, "roll" usually refers to a positive outcome such as in "he got a roll".
The roll: same as the lag.

(noun) An opening in a table, cut partly into the bed and partly into the rails and their cushions, into which balls are shot (pocketed or potted).
(verb) Send a ball into a pocket, usually intentionally.

This is the raised portion on the side of the table; the cushions are essentially rubber bumpers covered in the table cloth.

Same as center spot.

A set practice routine.
In British terminology, a bank shot.

Either of the two shorter rails on a standard pool, billiards or snooker table. Contrast side rail/long rail.

To play for money and lull a victim into thinking they can win, prompting them to accept higher and higher stakes, until beating them and walking off with more money than they would have been willing to bet had they been beaten soundly in the beginning. The terms hustler, for one who hustles, and hustling, describing the act, are just as common if not more so than this verb form.

When the contact between the cue ball and object ball is dead center.

Shooting at an object ball that is already in motion at the moment of shooting and cue ball impact; illegal in most games and usually only seen in exhibition/trick shots.

This is a shot involving contact between the cue ball and an object ball which allows the cue ball to contact another object in order to sink a pocket with the second object ball.

A denigrating slang term for the mechanical bridge.

The ease with which a player is generating cue power, due to well-timed acceleration of the cue at the appropriate point in a shot.

A foul where the rules are blatantly, intentionally violated, with a stiffer penalty (e.g., loss of game) than normal.

This is to execute a shot where the cue ball is controlled perfectly and stops where you want it to exactly.

In nine-ball, especially in the UK, a break shot that pots the 9 ball without fouling, in which case the player wins in one shot. See also on the break/snap.

An upright pin, which looks like a miniature bowling pin, cone or obelisk. Skittles, as employed in billiards games, have been so-called since at least 1634. One standardized size, for the largely Italian and South American game five-pins, is 25 mm (1 in.) tall, with 7 mm (0.28 in.) round bases, though larger variants have long existed for other games such as Danish pin billiards. Depending upon the game there may be one skittle, or several, and they may be targets to hit (often via a carom) or obstacles to avoid, usually the former. They are also sometimes called pins, though that term can be ambiguous. Because of the increasing international popularity of the Italian game five-pins), they are sometimes also known even in English by their Italian name, birilli (singular birillo). Skittles are also used as obstacles in some artistic billiards shots. #Flat, thin rectangular skittles, somewhat like large dominoes, approximately 6 in. tall by 3 in. wide, and placed upright like an obelisks on the table in specific spots, are used in the obsolescent and principally Australian games devil's pool and victory billiards. Depending upon the exact game being played, there may be one pin, or several of various colors (e.g. ten white and two black in devil's pool), and they may be targets or obstacles, most commonly the latter. They are usually made of plastic, and are increasingly difficult to obtain, even from Australian billiards suppliers. A black obelisk skittle of this sort features prominently, as a particularly dire hazard, in several scenes of sci-fi/pool film Hard Knuckle (1992, Australia). Skittles as used in billiards games date to ground billiards (13th century or earlier) played with a mace, and hand-thrown games of bowls from at least the same era using the same equipment. Ball games using a recognizable form of skittle are known from as early as ca. 3300 BCE in Ancient Egypt.

Also goose neck rest. Same as swan.

A tactic employed in UK eight-ball pool in which a player calls and pots one of the balls in a favorably lying set, then plays safe, leaving as many of his/her well-placed balls on the table as possible, until the opponents commits a foul or leaves a chance that the player feels warrants an attempt at running out.

Describes the propensity of a player losing small sums of money at gambling to suddenly sharply increase the stakes; often continuing to lose until broke. Compare Chasing one's money.

Named after Chicagoan J. E. Parker, it is a 3½ × 7 inch box drawn on a balkline table from the termination of a balkline with the cushion, thus defining a restricted space in which only a set number of points may be scored before one ball must be driven from the area. Now supplanted by anchor spaces, it was developed to curtail the effectiveness of the anchor nurse, which in turn had been invented to exploit a loophole in balkline rules: so long as both object balls straddled a balkline, there was no restriction on counts, as each ball lay in a separate balk space.

Also semi-massé shot. A moderate curve imparted to the path of the cue ball by an elevated hit with use of english (side); or a shot using this technique. Also known as a curve (US) or swerve (UK) shot. Compare massé.

An outgrowth of the training template concept, a racking template is a racking tool used in place of a traditional rigid ball rack for pool or snooker balls, consisting of a very thin, e.g. 0.14 mm (0.0055 in), sheet of material such as paper or plastic with holes into which object balls settle snugly against one another to form a tight rack (pack). The template is placed, stencil-like, in racking position, with the lead ball's hole directly over the center of the foot spot. The balls are then placed onto the template and arranged to settle into their holes, forming a tight rack. Unlike with a training template, the balls are not tapped to create divots, and instead the template is left in place until after the break shot at which time it can be removed (unless balls are still sitting on top of it). Manufacturers such as Magic Ball Rack insist that racking templates are designed "to affect the balls to a minimum", and while pro player Mike Immonen has endorsed that particular brand as a retail product, as of September 2010, no professional tours nor amateur leagues have adopted that or any other racking template. Although Magic Ball Rack implies development work since 2006, other evidence suggests invention, by Magic Ball Rack's founder, in mid 2009, with product announcement taking place in September of that year.

Hitting the object ball with not enough of a cut angle; hitting the object ball too full or "fat". It is a well-known maxim that overcutting is preferable to undercutting.