Also known as a Dead cushion. A cushion that has either lost a degree of elastic resiliency or is not firmly bolted to the frame, in both cases causing balls to rebound with less energy than is normal.
24 Random Essential Billiards Terms
Named after Chicagoan J. E. Parker, it is a 3½ × 7 inch box drawn on a balkline table from the termination of a balkline with the cushion, thus defining a restricted space in which only a set number of points may be scored before one ball must be driven from the area. Now supplanted by anchor spaces, it was developed to curtail the effectiveness of the anchor nurse, which in turn had been invented to exploit a loophole in balkline rules: so long as both object balls straddled a balkline, there was no restriction on counts, as each ball lay in a separate balk space.
Used when describing perfect play. "as if the balls had strings on them"
Three Cushion is a form of carom billiards.
The object of the game is to carom the cue ball off both object balls and contact the rail cushions at least 3 times before the last object ball. A point is scored for each successful carom.
A three cushion billiards shot in which the cue ball first strikes two cushions before hitting the first object ball then hits a third cushion before hitting the second object ball. So called because the shot opens up like an umbrella after hitting the third rail. Umbrella shots may be classified as inside or outside depending on which side of the first object ball the cue ball contacts.
Two or more object balls that are touching or are close together.
This is a blemish added to the table in order to help execute a shot; these marks are not allowed and result in a foul.
This is a ball that is resting on the edge of a pocket, and would be a very easy shot to pocket.
This is also used to describe the ball when it rests on the edge of the pocket, almost begging to drop.
A shot that has a positive outcome for the player, although it was not what the player intended. Examples of flukes include an unexpected pot off several cushions or other balls having missed the pocket aimed for, or perhaps a lucky safety position after having missed a pot. Compare fish and slop; contrast mark (sense 3) and call. It is customary to apologise to one's opponent if one does this.
One of the alternating turns players (or doubles teams) are allowed at the table, before a shot is played that concedes a visit to his/her opponent (e.g. "he ran out in one visit"). Usually synonymous with inning as applied to a single player/team, except in scotch doubles format.
1d 4h 31m 26s
17d 21h 55m 47s
6d 6h 49m 42s
The ACS Canadian affiliate organization, the Canadian Cue Sport Association.
This is to take all the money from a player or to have lost all of your own money.
To create contact with the cue ball or an object ball.
1- Shortened phrase of "ball-in-hand".
2 - In snooker, the ability to place the cue ball anywhere inside the boundaries of the D. This occurs at the start of a frame, and after the cue ball has been potted or forced off the table.
Also a short form of "Ball In Hand".
This describes a shot in carom games where the cue ball is driven all the way across the long rail, crossing the table, to score a point.
Used when describing perfect cue ball position play.
Random method for pairing of opponents when setting up a bracket system for a tournament.
1.A (usually unmarked) line running across the table between one diamond and its corresponding diamond on the opposite rail. See also head string, foot string, long string for examples.
2.Same as wire, sense 2. Can be used as a verb, as in "string that point for me, will you?"
3.A successive series of wins, e.g. of games or frames in a match or race.
4.Chiefly British; same as lag.
Also pro side of the pocket and missing on the professional (or pro) side of the pocket. Sometimes "of the pocket" is left off the phrase. To err on the side of overcutting a difficult corner pocket cut shot rather than undercutting in nine ball; "missing on the professional side of the pocket." So called because experienced players understand that on a thin cut, overcutting the object ball to a corner pocket will far more often leave the object ball in an unfavorable position for the incoming opponent than will an undercut, which often leaves the object ball sitting in front of or nearby the pocket it had been intended for on a miss. By contrast, in eight-ball, except when both players are shooting at the 8 ball, the incoming player after a miss is shooting for different object balls, so this maxim does not apply, and the opposite may be good strategy as, if the object ball stays near the pocket through an undercut, it is advantageously positioned for a subsequent turn and may block the opponent's use of the pocket.
Describing a pot played at such a pace as to just reach the pocket and drop in without hitting the back.
7d 21h 15m 48s
21d 1h 10m 16s
3d 20h 23m 18s
Nearly table-length distance between the cue ball and target object ball, or near cue and object balls and target pocket, i.e. a potentially difficult shot ("you sure left me a lot of green on that one").
The cloth covering the table.
A cue made specificaly for an individual player. The term may also describe a quality product of a low volume yielding cue maker who puts more time and effort into both the design and structural integrity of the cue stick, as opposed to a cue manufacturer that builds their cues in a more assembly line fashion.
A term used to indicate balls that are frozen, or close enough that no matter from which angle they are hit from the combination will send the outer ball the same direction. "Are the 2 and 7 pointing at the corner?? Okay, I'll use that duck to get position way over there."
An instance of contact between balls, usually used in the context of describing an object ball contacting another object ball (e.g. "the two ball kissed off the twelve ball"), or in snooker the cue ball making contact with a ball after the initial contact with the object ball. If the player's intention was to cause two object balls to kiss (e.g. to pocket a shot ball after a ricochet off a stationary one), it is often called a kiss shot.
This is the act of disturbing you opponents good looking balls in the hope that they might move over and help you out in the game of one pocket.